The Art House presents
A Flying Fruit Fly Circus production
Tempo
When the orchestra hasn't shown up and the audience is waiting, call the Flying Fruit Fly Circus!
A highly distinguished musician has arrived to conduct their latest symphony, but the orchestra is nowhere to be found. Fortunately, the Fruities are ready to save the day! And create chaos with the concert grand piano…
Directed by Jake Silvestro with an original score by Ania Reynolds, Tempo features an extraordinary ensemble of young performers aged between 12 and 18 who not only possess dazzling circus skills but also play instruments!
Shifting between striking aerial acts and highly choreographed acrobatic chaos, Tempo draws heavily on the traditional knockabout humour of the Flying Fruit Fly Circus – a trademark of the company over many years. Magic, slapstick, juggling, balancing, acrobatics and aerials tumble in, out and around the concert grand piano.
With no dialogue and plenty of gasp-inducing action, Tempo appeals to every age and is suitable, or perhaps essential, for all families.
Flying Fruit Fly Circus as Australia’s National Youth Circus, has been creating shows by, with and for young people since 1979.
Director - Jake Silvestro
Original Score - Ania Reynolds
Creative Circus Associate - Lauren Shepherd
Lighting Designer - Kofi Isaacs
Costume Designer - April Dawson
Produced by - Flying Fruit Fly Circus
Photo Credit/s - Ian Sutherland & Jaimi Joy
Featuring a cast of young acrobats from the Flying Fruit Fly Circus - Aoife Gordos, Barney Herrmann, Chelsea Quaill, Elise Doherty, Emma Giasoumi, Finn Neill, Imogen McDonald, Jacob Kavanagh, Maya Chynoweth, Nate Klippel, Peter Giasoumi, Tal Shemesh
★★★★ “The exuberance and skill of the young performers is at the fore of Tempo, as it swings through its virtuoso performance. The Fruities prove once again that they are among Australia’s best circus companies for new talent with another on-song show.” - Arts Hub
“This is a treat not to be missed.” - Dance Informa
★★★★ “An excellent afternoon of entertainment” - Theatre Matters